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The Late Victorian Gothic - Mental Science, the Uncanny, and Scenes of Writing (Paperback)
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The Late Victorian Gothic - Mental Science, the Uncanny, and Scenes of Writing (Paperback)
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Examining the automatic writing of the spiritualist seances,
discursive technologies like the telegraph and the photograph,
various genres and late nineteenth-century mental science, this
book shows the failure of writers' attempts to use technology as a
way of translating the supernatural at the fin de siecle. Hilary
Grimes shows that both new technology and explorations into the
ghostly aspects of the mind made agency problematic. When notions
of agency are suspended, Grimes argues, authorship itself becomes
uncanny. Grimes's study is distinct in both recognizing and
crossing strict boundaries to suggest that Gothic literature itself
resists categorization, not only between literary periods, but also
between genres. Treating a wide range of authors - Henry James,
Rudyard Kipling, Arthur Conan Doyle, George Du Maurier, Vernon Lee,
Mary Louisa Molesworth, Sarah Grand, and George Paston - Grimes
shows how fin-de-siecle works negotiate themes associated with the
Victorian and Modernist periods such as psychical research, mass
marketing, and new technologies. With particular attention to texts
that are not placed within the Gothic genre, but which nevertheless
conceal Gothic themes, The Late Victorian Gothic demonstrates that
the end of the nineteenth century produced a Gothicism specific to
the period.
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