In this book, Blackford historicizes the appeal of the
Persephone myth in the nineteenth century and traces figurations of
Persephone, Demeter, and Hades throughout girls literature of the
nineteenth and twentieth centuries. She illuminates developmental
patterns and anxieties in E. T. A. Hoffmann 's Nutcracker and Mouse
King, Louisa May Alcott 's Little Women, Emily Bront 's Wuthering
Heights, J. M. Barrie 's Peter and Wendy, Frances Hodgson Burnett
's The Secret Garden, E. B. White 's Charlotte 's Web, J. K.
Rowling 's Harry Potter and the Chamber of Secrets, Stephenie Meyer
's Twilight, and Neil Gaiman 's Coraline. The story of the young
goddess 's separation from her mother and abduction into the
underworld is, at root, an expression of ambivalence about female
development, expressed in the various Neverlands through which
female protagonists cycle and negotiate a partial return to earth.
The myth conveys the role of female development in the perpetuation
and renewal of humankind, coordinating natural and cultural orders
through a hieros gamos (fertility coupling) rite. Meanwhile,
popular novels such as Twilight and Coraline are paradoxically
fresh because they recycle goddesses from myths as old as the
seasons. With this book, Blackford offers a consideration of how
literature for the young squares with broader canons, how classics
flexibly and uniquely speak through novels that enjoy broad appeal,
and how female traditions are embedded in novels by both men and
women.
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