In her third book of poems, Honoree Fanonne Jeffers expresses her
familiarity with the actual and imaginary spaces that the American
South occupies in our cultural lexicon. Her two earlier books of
poetry, ""The Gospel of Barbecue"" and ""Outlandish Blues"", use
the blues poetic to explore notions of history and trauma. Now, in
""Red Clay Suite"", Jeffers approaches the southern landscape as
utopia and dystopia - a crossroads of race, gender, and blood.
These poems signal the ending movement of her crossroads blues and
complete the last four ""bars"" of a blues song, resting on the
final, and essential, note of resolution and reconciliation.
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