The twentieth century saw a grand procession of promises for the
city. The great modern architect Le Corbusier dictated cities of
glittering white towers planted in green parks, Frank Lloyd
proposed cities with no downtown, cities spread across the
countryside with each family on its homestead, and skyscraper
utopians of the 1920s promised paradise on the one-hundredth floor
with our airplane hangared next door.
One thing was sure: the city of tomorrow would put to shame the
city of yesterday. Another thing was certain, too: we would be
happier, more peaceful (and productive) people. Here is Le
Corbusier: "Free, man tends to geometry." And if we followed the
"radiant harmony" of his geometry, the world's cities could become
"irresistible forces stimulating collective enthusiasm, collective
action, and general joy and pride, and inconsequence individual
happiness everywhere . . . the modern world would emerge . . . and
would beam around, powerful, happy, believing."
There were others who promised deliverance through their brands
of architecture: the right angle, the curvilinear road in the park,
the tower of glass. Each fervently preached that his was the magic
geometry that, like tumblers on a lock, would open the way to the
good life. Cosmopolis is a pattern book of expectations, generously
illustrated with a gathering of plans from the City Beautiful to
the Italian Futurists, The Cite Industrielle, World's Fair utopias,
science fiction visions, and the grand plans of the Moderns.
Cosmopolis is the story of the ideal city we never achieved, and
the great plans that went into making-over precincts of our urban
language.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!