The first in-depth, comprehensive study of Korean cinema offering
original insight into the relationships between ideology and the
art of cinema from East Asian perspectives. Combines issues of
contemporary Korean culture and cinematic representation of the
society and people in both North and South Korea. Covers the
introduction of motion pictures in 1903, Korean cinema during the
Japanese colonial period (1910-45) and the development of North and
South Korean cinema up to the 1990s. Introduces the works of
Korea's major directors, and analyses the Korean film industry in
terms of film production, distribution and reception. Based on this
historical analysis, the study investigates ideological constructs
in seventeen films, eight from North Korea and nine from South
Korea. -- .
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