Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
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Liszt's Representation of Instrumental Sounds on the Piano - Colors in Black and White (Hardcover)
Loot Price: R2,288
Discovery Miles 22 880
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Liszt's Representation of Instrumental Sounds on the Piano - Colors in Black and White (Hardcover)
Series: Eastman Studies in Music
Expected to ship within 12 - 17 working days
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Examines Liszt's piano arrangements of music originally created for
other instruments, especially the symphony orchestra and the
Hungarian Gypsy band. Liszt's adaptation of existing music is
staggering in its quantity, scope, and variety of technique. He
often viewed the model work as a source that he strove to improve,
rival, and even surpass. Liszt's Representation of Instrumental
Sounds on the Piano: Colors in Black and White provides a
comprehensive survey of Liszt's reworking of instrumental music on
the piano, particularly his emulation of tone colors and idiomatic
gestures. The book relatesLiszt's sonic reproductions to the
widespread nineteenth-century interest in visual-art reproduction.
Hyun Joo Kim illustrates Liszt's diverse approaches to the
integrity of the music in a detailed, vivid, and insightful manner
through close study of his arrangements of Beethoven's symphonies
and Rossini's Guillaume Tell Overture, his two-piano arrangements
of his own symphonic poems such as Mazeppa and Hunnenschlacht, and
his Hungarian Rhapsodies. By examining orchestral music and
Hungarian Gypsy-style music as sources of Liszt's sound
representations, this book reveals Liszt's musical discourse as
straddling the musical, cultural, and aesthetic divides between
mainstream and peripheral, art and folk, serious and popular. HYUN
JOO KIM holds a PhD from Indiana University and is an independent
scholar in Seoul, South Korea.
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