L'incoronazione di Poppea is the most compelling of all early
Italian operas and this has, in part, been responsible for the way
in which it has become separated from its social and historical
context. In this book, Iain Fenlon and Peter Miller show how an
understanding of contemporary Venetian intellectual currents and
preoccupations provides a key to the structure of the opera's
libretto, the progress of the action and the points of emphasis in
both the music and the text.
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