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Music and Religion in the Writings of Ian McEwan
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Music and Religion in the Writings of Ian McEwan
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The majority of characters in Ian McEwan's novels are educated
members of the middle class, but without any great private
financial means and certainly no great affluence. Despite different
occupations, whether scientist (Solar), musician (On Chesil Beach,
Amsterdam) or surgeon (Saturday), they are faced with moral,
ethical, religious and personal dilemmas that bear resonance to a
contemporary audience. Classical music is present throughout
McEwan's writings (including his recent Lessons, 2022), mostly not
as an accompanying theme but as a necessary part of life's
pleasures and for some, essential needs. The combination of music
and the unforgettable narrative moments create a unique space for
McEwan to translate his views on the world. The value of music, not
least as a complementary presence to silence, is portrayed not just
as the source of comfort but as a known presence that is dependable
to an individual on a near spiritual level. Within his writings
there is also a clear understanding of the role of the Church of
England as a societal, cultural and established presence within
British society. In the literary descriptions of McEwan and other
authors this often extends beyond the immediate theological and
ecclesiastical concerns of the day. McEwan's writings demonstrate a
perceptive knowledge of the nuances of this highly specific
cultural dynamic. McEwan's ability to discern sentiments that
easily resonate with musicians place his contribution to the field
of music and literature studies in a singular position among living
writers discussing classical music in Britain. This book provokes
questions for those who encounter these areas for the first time in
McEwan's writings, and it offers a place of sustained enquiry for
those who have experienced these fields first-hand, whether as
listeners, performers, congregants, audience members or scholars
across literary, musical or ecclesiastical fields. Iain Quinn's
book will be of interest to scholars and students of contemporary
British literature, as well as those interested in words and music
studies more generally.
General
Imprint: |
Boydell & Brewer
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Country of origin: |
United Kingdom |
Release date: |
November 2023 |
First published: |
2023 |
Authors: |
Iain Quinn
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Dimensions: |
234 x 156mm (L x W) |
Pages: |
252 |
ISBN-13: |
978-1-83765-082-8 |
Categories: |
Books
Promotions
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LSN: |
1-83765-082-9 |
Barcode: |
9781837650828 |
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