Comprehensive and unique in covering all major realist film
theorists including Grierson, Kracauer, Bazin and Lukacs, and in
linking these 20th-century traditions to themes and characteristics
of 19th-century realism in literature and painting The first book
to attempt a rigorous and systematic application of realist film
theory to the analysis of particular films The first book to
attempt a comparative analysis of the theories of Grierson, Bazin
and Kracauer, and also throws new light on Lukacs theory of
realism, making a clear and novel distinction between his literary
and cinematic theories of realism Attempts to establish a new
paradigm of film theory around realism, and challenges some of the
major contemporary positions in the field Proposes a new approach
to film studies based on the development of a new category of
realist film research
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