Videogames! Aren’t they the medium of the twenty-first century?
The new cinema? The apotheosis of art and entertainment, the
realization of Wagnerian gesamtkunstwerk? The final victory of
interaction over passivity? No, probably not. Games are part art
and part appliance, part tableau and part toaster. In How to Talk
about Videogames, leading critic Ian Bogost explores this paradox
more thoroughly than any other author to date. Delving into
popular, familiar games like Flappy Bird, Mirror’s Edge, Mario
Kart, Scribblenauts, Ms. Pac-Man, FarmVille, Candy Crush Saga,
Bully, Medal of Honor, Madden NFL, and more, Bogost posits that
videogames are as much like appliances as they are like art and
media. We don’t watch or read games like we do films and novels
and paintings, nor do we perform them like we might dance or play
football or Frisbee. Rather, we do something in-between with games.
Games are devices we operate, so game critique is both serious
cultural currency and self-parody. It is about figuring out what it
means that a game works the way it does and then treating the way
it works as if it were reasonable, when we know it isn’t. Noting
that the term games criticism once struck him as preposterous,
Bogost observes that the idea, taken too seriously, risks
balkanizing games writing from the rest of culture, severing it
from the “rivers and fields” that sustain it. As essential as
it is, he calls for its pursuit to unfold in this spirit: “God
save us from a future of games critics, gnawing on scraps like the
zombies that fester in our objects of study.”
General
Imprint: |
University of Minnesota Press
|
Country of origin: |
United States |
Series: |
Electronic Mediations |
Release date: |
2016 |
Firstpublished: |
2015 |
Authors: |
Ian Bogost
|
Dimensions: |
216 x 140 x 25mm (L x W x T) |
Format: |
Paperback
|
Pages: |
208 |
ISBN-13: |
978-0-8166-9912-4 |
Categories: |
Books >
Social sciences >
General
Books >
Computing & IT >
General
|
LSN: |
0-8166-9912-7 |
Barcode: |
9780816699124 |
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