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El Zarco (Spanish, Paperback)
Loot Price: R598
Discovery Miles 5 980
You Save: R124
(17%)
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El Zarco (Spanish, Paperback)
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List price R722
Loot Price R598
Discovery Miles 5 980
You Save R124 (17%)
Expected to ship within 10 - 15 working days
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El Zarco by Ignacio Atamirano in a US printed edition with
preliminary study and notes by Maria Eugenia Mudrovcic Ignacio
Manuel Altamirano's posthumous novel, El Zarco (1901), is much more
than a novel about bandits. Written amidst the -pax porfiriana-, at
the height of Altamirano's reputation within the cultural elite,
the novel is a narrative that deals with the chaos and the banditry
that prevailed in the 1860s to celebrate the insertion of Mexico
into the international markets undertaken by Porfirio Diaz.
Considered to be -the first Mexican novel- because of its carefully
constructed structure, El Zarco is also "original" in its approach
to race: green-eyed white characters are the villains, while the
heroes are Indian or mestizos. What makes a heroe, however, is not
a matter of race, but the strict adherence to honor, family and
hard work, the -civil- values guiding the actions and the ethos of
each and every good citizen or "hombre de bien" of Yautepec. The
nineteenth century bourgeois obsession with "crime" emerges in El
Zarco as the matrix of the two stories that end up being one:
"crime" is the cause for the fear and -insecurity- that paralyze
Yautepec middle classes as well as the reason for the glorification
of the rural police. Altamirano presents the -good love- between
Nicolas and Pilar as a counternarrative of the sexually
undisciplined story of lust enacted by Manuela and el Zarco. But
this narrative line seems to be, nonetheless, only a frame to
celebrate Sanchez Chagollan as the heroic founding father of the
police created by Benito Juarez in 1861 that later became an icon
of the institutional order of the Diaz regime. In the study that
introduces this edition, Maria Eugenia Mudrovcic reads the
-unorthodoxies- of Altamirano's novel as part of the propaganda
apparatus set by Porfirio Diaz in his effort to change the image of
Mexico as a -bandit nation- that dominated the press at the time.
Why Altamirano talks of -violence- in -times of peace-, thus,
becomes the starting-point for a reading of El Zarco that pays
attention not so much to bandits but rather to the police that was
created as the only way to combat them.
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