Its champions--and its detractors--have often understood the
novel as the genre par excellence of truthlessness. The Narrative
Shape of Truth counters this widely accepted view. It argues
instead that the novel has found new, historically specific
configurations of truth and narrative. The nineteenth-century
novel, in particular, can be understood as responding to the
emerging tendency to view truth as inseparable from, rather than
opposed to, time. Ilya Kliger offers a nonreductive way of reading
the histories of philosophy and the novel side by side. He
identifies the crucial moment in the epistemological history of
narrative when, at the end of the eighteenth century, a new
structural affiliation between truth and time emerged.
This book examines novels by four authors--Balzac, Stendhal,
Dostoevsky, and Tolstoy--as well as the writings of leading
European intellectuals and philosophers. Kliger argues that the
"realist" novel can be conceived as prompting us (and giving us the
means) to think of truth differently, as immanent in a temporal
shape rather than transcendent in a principle, a fact, or a higher
order.
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