This study argues that in Japanese popular cinema the "tragic hero"
narrative is an archetypal plot-structure upon which male genres,
such as the war-retro and yakuza films are based. Two central
questions in relation to these post-war Japanese film genres and
historical consciousness are addressed: what is the relationship
between history, myth and memory? And how are individual
subjectivities defined in relation to the past? The book examines
the role of the "tragic hero" narrative as a figurative structure
through which the Japanese people could interpret the events of
World War II and defeat. This narrative became part of a wider
discourse which developed as a backlash against the criminalization
of Japan through the conviction of her war-time leaders. The author
analyzes the construction of the "tragic heroes" of film and their
relationship to the popular interpretation of historical events.
Also considered is the fantasy world of the nagare-mono (drifter)
or yakuzu film.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!