Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Hippolyta's View - Some Christian Aspects of Shakespeare's Plays (Paperback)
Loot Price: R807
Discovery Miles 8 070
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Hippolyta's View - Some Christian Aspects of Shakespeare's Plays (Paperback)
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Scholars have already demonstrated that Shakespeare 's language
abounds in Biblical allusions and references, but Mr. Bryant now
undertakes to show us how such details may bear on the full meaning
of the plays. Seeking to interpret Shakespeare's plays as Christian
poetry, Mr. Bryant has developed in this significant work a new
critical approach which may have far-reaching consequences for
future Shakespearean scholarship. In an introductory essay the
author shows that the typological view of Scripture was a familiar
one to the Christians of Shakespeare 's time; he suggests that for
Shakespeare, as for many of his contemporaries, the Bible had only
one subject -- Christ -- to which everything in both Testaments in
some way referred. This interpretation of Scripture, Mr. Bryant
believes, had an appreciable effect on Shakespeare's handling of
many of the traditional stories on which he based his plays. The
author then demonstrates, in twelve essays, how typological
patterns may be traced in the plays and how Biblical allusions
suggest and strengthen these analogies. In both Richard II and
Hamlet, Mr. Bryant finds references to the story of Cain and Abel
which give a new focus to his reading of these plays. Passages from
the Gospels bear upon his interpretations of Troilus and Cressida
and Measure for Measure, and the epistles of St. Paul upon his
readings of The Merchant of Venice and the two parts of Henry IV.
Mr. Bryant then attacks the popular idea that tragedy is
incompatible with Christian doctrine; his essay defining Christian
tragedy is illustrated in chapters on Macbeth, Antony and
Cleopatra, and Othello. The concluding essays deal with Cymbeline
and The Winter's Tale as tragicomedies given depth by their
Christian materials. Mr. Bryant's fresh and challenging
interpretations of these representative tragedies, histories, and
comedies will not meet with universal assent, but they are certain
to provoke the interest of both scholarly and lay readers. The
increasing number of students who wish to trace the relationships
between secular literature and Christian thought will find in this
pioneer work a new insight into the nature of Christian poetry.
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