0
Your cart

Your cart is empty

Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism

Buy Now

Salesman (Paperback) Loot Price: R328
Discovery Miles 3 280
You Save: R68 (17%)
Salesman (Paperback): J.M. Tyree

Salesman (Paperback)

J.M. Tyree

Series: BFI Film Classics

 (sign in to rate)
List price R396 Loot Price R328 Discovery Miles 3 280 You Save R68 (17%)

Bookmark and Share

Expected to ship within 12 - 17 working days

Selected by the Library of Congress as one of the most significant American films ever made, Salesman (1966-9) is a landmark in non-fiction cinema, equivalent in its impact and influence to Truman Capote's 'non-fiction novel' In Cold Blood. The film follows a team of travelling Bible salesmen on the road in Massachusetts, Chicago, and Florida, where the American dream of self-reliant entrepreneurship goes badly wrong for protagonist Paul Brennan. Long acknowledged as a high-water mark of the 'direct cinema' movement, this ruefully comic and quietly devastating film was the first masterpiece of Albert Maysles, David Maysles and Charlotte Zwerin, the trio who would go on to produce The Rolling Stones documentary, Gimme Shelter (1970). Based on the premise that films drawn from ordinary life could compete with Hollywood extravaganzas, Salesman was critical in shaping 'the documentary feature'. A novel cinema-going experience for its time, the film was independently produced, designed for theatrical release and presented without voiceover narration, interviews, or talking heads. Working with innovative handheld equipment, and experimenting with eclectic methods and a collaborative ethos, the Maysles brothers and Zwerin produced a carefully-orchestrated narrative drama fashioned from unexpected episodes. J. M. Tyree suggests that Salesman can be understood as a case study of non-fiction cinema, raising perennial questions about reality and performance. His analysis provides an historical and cultural context for the film, considering its place in world cinema and its critical representations of dearly-held national myths. The style of Salesman still makes other documentaries look static and immobile, while the film's allegiances to everyday subjects and working people indelibly marked the cinema. Tyree's insightful study also includes an exclusive exchange with Albert Maysles about the film.

General

Imprint: Bfi Publishing
Country of origin: United Kingdom
Series: BFI Film Classics
Release date: September 2012
First published: 2012
Authors: J.M. Tyree
Dimensions: 190 x 135 x 8mm (L x W x T)
Format: Paperback
Pages: 104
ISBN-13: 978-1-84457-387-5
Categories: Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
LSN: 1-84457-387-7
Barcode: 9781844573875

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!

Partners