This book explores the fascinating phenomenon of cross-casting and
related gender issues in different theatrical genres and different
performance contexts during the heyday of French theatre. Although
professional acting troupes under Louis XIV were mixed,
cross-casting remained an important feature of French court ballet
(in which the King himself performed a number of women's roles) and
an occasional feature of spoken comedy and tragic opera.
Cross-casting also persisted out of necessity in the school drama
of the period. This book fills an important gap in the history of
French theatre and provides new insight into wider theoretical
questions of gender and theatricality. The inclusion of chapters on
ballet and opera (as well as spoken drama) opens up the richness of
French theatre under Louis XIV in a way that has not been achieved
before.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!