This thought provoking study of the development of architecture,
and the impact of architectural models on this evolution, in
southeast Asia, draws for its early examples primarily from
surviving Hindu-Buddhist monuments in Cambodia and Java. Dumarcay
argues that, despite the fact that individual physical locations
may merit innovation, new construction nevertheless tends to be
constrained by pre-existing architectural models, appropriate to
the new situation or otherwise, which are held within the
collective conscience of a given culture. This tendency may further
be strengthened in the event that an insecure regime seeks to
employ architectural monuments to aggrandize its political
position. The inappropriate use of models may also occur when
architectural styles are transplanted from one culture into
another. A break from the models of the past-and thus true
innovation-may develop only when a master builder both has
sufficient confidence in his own artistic vision and works within a
context that allows him the freedom to express this vision.
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