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The Business of Satirical Prints in Late-Georgian England (Hardcover, 1st ed. 2017)
Loot Price: R2,945
Discovery Miles 29 450
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The Business of Satirical Prints in Late-Georgian England (Hardcover, 1st ed. 2017)
Series: Palgrave Studies in the History of the Media
Expected to ship within 12 - 17 working days
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This book explores English single sheet satirical prints published
from 1780-1820, the people who made those prints, and the
businesses that sold them. It examines how these objects were made,
how they were sold, and how both the complexity of the production
process and the necessity to sell shaped and constrained the
satiric content these objects contained. It argues that production,
sale, and environment are crucial to understanding late-Georgian
satirical prints. A majority of these prints were, after all,
published in London and were therefore woven into the commercial
culture of the Great Wen. Because of this city and its culture, the
activities of the many individuals involved in transforming a
single satirical design into a saleable and commercially viable
object were underpinned by a nexus of making, selling, and
consumption. Neglecting any one part of this nexus does a
disservice both to the late-Georgian satirical print, these most
beloved objects of British art, and to the story of their
late-Georgian apotheosis - a story that James Baker develops not
through the designs these objects contained, but rather through
those objects and the designs they contained in the making.
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