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Voicing the Cinema - Film Music and the Integrated Soundtrack (Hardcover)
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Voicing the Cinema - Film Music and the Integrated Soundtrack (Hardcover)
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Theorists of the soundtrack have helped us understand how the voice
and music in the cinema impact a spectator's experience. James
Buhler and Hannah Lewis edit in-depth essays from many of film
music's most influential scholars in order to explore fascinating
issues around vococentrism, the voice in cinema, and music's role
in the integrated soundtrack.The collection is divided into four
sections. The first explores historical approaches to technology in
the silent film, French cinema during the transition era, the films
of the so-called New Hollywood, and the post-production sound
business. The second investigates the practice of the singing voice
in diverse repertories such as Bergman's films, Eighties teen
films, and girls' voices in Brave and Frozen. The third considers
the auteuristic voice of the soundtrack in works by Kurosawa, Weir,
and others. A last section on narrative and vococentrism moves from
The Martian and horror film to the importance of background music
and the state of the soundtrack at the end of vococentrism.
Contributors: Julie Brown, James Buhler, Marcia Citron, Eric
Dienstfrey, Erik Heine, Julie Hubbert, Hannah Lewis, Brooke
McCorkle, Cari McDonnell, David Neumeyer, Nathan Platte, Katie
Quanz, Jeff Smith, Janet Staiger, and Robynn Stilwell
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