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Boccaccio's Corpus - Allegory, Ethics, and Vernacularity (Hardcover)
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Boccaccio's Corpus - Allegory, Ethics, and Vernacularity (Hardcover)
Series: William and Katherine Devers Series in Dante and Medieval Italian Literature
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In Boccaccio's Corpus, James C. Kriesel explores how medieval ideas
about the body and gender inspired Boccaccio's vernacular and Latin
writings. Scholars have observed that Boccaccio distinguished
himself from Dante and Petrarch by writing about women, erotic
acts, and the sexualized body. On account of these facets of his
texts, Boccaccio has often been heralded as a protorealist author
who invented new literatures by eschewing medieval modes of
writing. This study revises modern scholarship by showing that
Boccaccio's texts were informed by contemporary ideas about
allegory, gender, and theology. Kriesel proposes that Boccaccio
wrote about women to engage with debates concerning the dignity of
what was coded as female in the Middle Ages. This encompassed
varieties of mundane experiences, somatic spiritual expressions,
and vernacular texts. Boccaccio championed the feminine to counter
the diverse writers who thought that men, ascetic experiences, and
Latin works had more dignity than women and female cultures.
Emboldened by literary and religious ideas about the body,
Boccaccio asserted that his "feminine" texts could signify as
efficaciously as Dante's Divine Comedy and Petrarch's classicizing
writings. Indeed, he claimed that they could even be more effective
in moving an audience because of their affective nature- namely,
their capacity to attract, entertain, and stimulate readers.
Kriesel argues that Boccaccio drew on medieval traditions to
highlight the symbolic utility of erotic literatures and to promote
cultures associated with women.
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