England in the fifteenth century was the cradle of much that would
have a profound impact on European music for the next several
hundred years. Perhaps the greatest such development was the cyclic
cantus firmus Mass, and scholarly attention has therefore often
been drawn to identifying potentially English examples within the
many anonymous Mass cycles that survive in continental sources.
Nonetheless, to understand English music in this period is to
understand it within a changing nexus of two-way cultural exchange
with the continent, and the genre of the Mass cycle is very much at
the forefront of this. Indeed, the question of ‘what is
English’ cannot truly be answered without also answering the
question of ‘what is continental’. This book seeks, initially,
to answer both of these questions. Perhaps more importantly, it
argues that a number of the works that have induced the most
scholarly debate are best seen through the lens of intensive and
long-term cultural exchange and that the great binary divide of
provenance can, in many cases, productively be broken down. A great
many of these works, though often written on the continent, can, it
seems, only be understood in relation to English practice – a
practice which has had, and will continue to have, major importance
in the ongoing history of European Art Music.
General
Imprint: |
Routledge
|
Country of origin: |
United Kingdom |
Series: |
Royal Musical Association Monographs |
Release date: |
September 2020 |
First published: |
2019 |
Authors: |
James Cook
|
Dimensions: |
234 x 156mm (L x W) |
Format: |
Paperback
|
Pages: |
148 |
ISBN-13: |
978-0-367-66160-1 |
Categories: |
Books
|
LSN: |
0-367-66160-8 |
Barcode: |
9780367661601 |
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