Orestes, produced in 408 BC towards the end of Euripides' life, was
one of the most popular Greek tragedies in antiquity, and was
consequently preserved in a large number of medieval manuscripts.
Having investigated about sixty of the most important, James Diggle
explains the complicated relationships which exist among them. He
also examines afresh the contribution of the papyri and quotations
which preserve parts of the play. In the course of these analyses
he throws much light on problems of text and interpretation, on
metre, and on the activities of Byzantine scholars. This
examination of Orestes is the last major task in the completion of
the study of the Euripidean manuscript tradition. As such it will
be indispensable to all students of the transmission of Greek
tragedy.
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