The Takayanagi family of art dealers have long been associated with
the artist Yuichiro Kozu (1878-1953). In Paris, the founder of the
Midori Gallery knew him when he painted his tragic, married lover,
Yumiko. Even more controversially, Kozu's painting in Indochina
during the Japanese occupation 'looks past the cruelty - to see the
horror'. He had no compunction in using people, whether servants or
lovers, to set his scenes, no fear of dissection or execution. His
paintings testify to a criminal indifference. With the war over
interest is renewed in the art of Yuichiro Kozu, but can the truth
really be understood from a painting? Is direct observation and
accuracy enough? Perhaps a story is also required.
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