The first book to gather the principal authors and theories of
twentieth-century art history, Master Narratives and their
Discontents surveys the rival theories of modernism and
postmodernism by leading art historians on art and art criticism.
By examining the rival theories of modernism and postmodernism, and
including a survey of ideas about the relation of modern art to
skill and politics, James Elkins discusses key questions in the
debate: * Was surrealism central as some postmodern theories imply?
* To what degree was North American abstraction a turning point? *
Does skill matter in modernism? * How is political meaning related
to art making? These questions have barely been debated before, and
this bracing engagement with the many versions of art history will
prove an invaluable addition to the bookshelves of cultural studies
and art history students.
General
Imprint: |
Routledge
|
Country of origin: |
United Kingdom |
Series: |
Theories of Modernism and Postmodernism in the Visual Arts |
Release date: |
August 2005 |
First published: |
2006 |
Authors: |
James Elkins
|
Dimensions: |
210 x 140 x 17mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
200 |
ISBN-13: |
978-0-415-97269-7 |
Categories: |
Books >
Arts & Architecture >
The arts: general issues >
General
|
LSN: |
0-415-97269-8 |
Barcode: |
9780415972697 |
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