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Martin Scorsese, Woody Allen, Spike Lee - Ethnicity, Race, and Identity in American Independent Film (Hardcover)
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Martin Scorsese, Woody Allen, Spike Lee - Ethnicity, Race, and Identity in American Independent Film (Hardcover)
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Directors Martin Scorsese, Woody Allen, and Spike Lee emerged as
filmmakers toward the end of the 1960s, when the breakdown of the
studio system paved the way for new production partnerships and
gave more creative authority to directors, actors, and writers. In
what has come to be called the "Indie" movement, these directors
were able to explore ethno-racial themes with more frankness than
previously allowed. From the perspectives of their own minority
communities, Scorsese, Allen, and Lee dramatized and critiqued the
challenges this restless, ethno-racial underclass posed to the
"White Republic" imagined by the Founding Fathers. The three
directors whose work is at the heart of this book explore the
question of how identity formation is a process of negotiation,
particularly among America's ethno-racial minorities. They
emphasize the stresses related to the double burden in the
assimilative process of patterning oneself after the majoritarian
culture, while acknowledging in complex ways the culture of the
community of origin. Annie Hall tells Alvie Singer, "you're a real
Jew." Buggin' Out instructs his homeboy friend, "Stay Black,
Mookie!" What implications do these phrases carry? Will Alvie have
a chance to modify his identity? Should he? Will Mookie honor his
friend's admonition? Is "black" also susceptible to a cultural
makeover? Is identity a personal choice? This book highlights how
various films by these three directors explore the ways in which
"cultural capital" (musical, artistic, intellectual, athletic,
etc.) is used to erase "ethno-racial taint" (skin tones, supposed
biological "traits," offensive cultural habits). The formula
ordains that assimilation and interculturation will be
asymmetrical, favoring those groups or individuals who bring with
them the most cultural capital.
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