Scholars have been studying the films of Stanley Kubrick for
decades. This book, however, breaks new ground by bringing together
recent empirical approaches to Kubrick with earlier formalist
approaches to arrive at a broader understanding of the ways in
which Kubrick's methods were developed to create the unique
aesthetic creation that is 2001: A Space Odyssey. More than 50
years after its release, contributors explore the film's still
striking design, vision and philosophical structure, offering new
insights and analyses that will give even dedicated Kubrick fans
new ways of thinking about the director and his masterpiece.
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