In his "Symposium," Plato crafted a set of speeches in praise of
love that has influenced writers and artists from antiquity to the
present. Early Christian writers read the dialogue's 'ascent
passage' as a vision of the soul's journey to heaven. Ficino's
commentary on the "Symposium" inspired poets and artists throughout
Renaissance Europe and introduced 'a Platonic love' into common
speech. Themes or images from the dialogue have appeared in
paintings or sketches by Rubens, David, Feuerbach, and La Farge, as
well as in musical compositions by Satie and Bernstein. The
dialogue's view of love as 'desire for eternal possession of the
good' is still of enormous philosophical interest in its own right.
Nevertheless, questions remain concerning the meaning of specific
features, the significance of the dialogue as a whole, and the
character of its influence. This volume brings together an
international team of scholars to address such questions.
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