This new study of the nineteenth-century French realist novel
focuses on the difference, and fundamental incompatibility, between
the narrative and the descriptive modes of discourse. James Reid
shows how the major novelists, Balzac, Flaubert and Zola, like some
of their twentieth-century successors, grappled with their belief
or fear that their stories lied in their representation of time and
history, or that their descriptions forgot (rather than remembered)
the reality of their socio-historical world. He questions recent
critical approaches which have tended to reduce the realist novel
to individual or historically determined narratives or speech acts.
He demonstrates instead the writers' use of irony and allegory in
struggling against the deceitfulness of their own texts.
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