James L. Machor offers a sweeping exploration of how American
fiction was received in both public and private spheres in the
United States before the Civil War.
Machor takes four antebellum authors--Edgar Allan Poe, Herman
Melville, Catharine Sedgwick, and Caroline Chesebro'--and analyzes
how their works were published, received, and interpreted. Drawing
on discussions found in book reviews and in private letters and
diaries, Machor examines how middle-class readers of the time
engaged with contemporary fiction and how fiction reading evolved
as an interpretative practice in nineteenth-century America.
Through careful analysis, Machor illuminates how the reading
practices of nineteenth-century Americans shaped not only the
experiences of these writers at the time but also the way the
writers were received in the twentieth century. What Machor reveals
is that these authors were received in ways strikingly different
from how they are currently read, thereby shedding significant
light on their present status in the literary canon in comparison
to their critical and popular positions in their own time.
Machor deftly combines response and reception criticism and
theory with work in the history of reading to engage with
groundbreaking scholarship in historical hermeneutics. In so doing,
Machor takes us ever closer to understanding the particular and
varying reading strategies of historical audiences and how they
impacted authors' conceptions of their own readership.
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