A groundbreaking examination of the "double" in modern and
contemporary art From ancient mythology to contemporary cinema, the
motif of the double-which repeats, duplicates, mirrors, inverts,
splits, and reenacts-has captured our imaginations, both attracting
and repelling us. The Double examines this essential concept
through the lens of art, from modernism to contemporary
practice-from the paired paintings of Henri Matisse and Arshile
Gorky, to the double line works of Piet Mondrian and Marlow Moss,
to Eva Hesse's One More Than One, Lorna Simpson's Two Necklines,
Roni Horn's Pair Objects, and Rashid Johnson's The New Negro
Escapist Social and Athletic Club (Emmett). James Meyer's survey
text explores four modes of doubling: Seeing Double through
repetition; Reversal, the inversion or mirroring of an image or
form; Dilemma, the staging of an absurd or impossible choice; and
the Divided and Doubled Self (split and shadowed selves, personae,
fraternal doubles, and pairs). Thought-provoking essays by leading
scholars Julia Bryan-Wilson, Tom Gunning, W.J.T. Mitchell, Hillel
Schwartz, Shawn Michelle Smith, and Andrew Solomon discuss a host
of topics, including the ontology and ethics of the double, the
double and psychoanalysis, double consciousness, the doppelganger
in silent cinema, and the queer double. Richly illustrated
throughout, The Double is a multifaceted exploration of an enduring
theme in art, from painting and sculpture to photography, film,
video, and performance. Published in association with the National
Gallery of Art, Washington, DC Exhibition Schedule National Gallery
of Art, Washington, DC July 10-October 31, 2022
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