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Semantics of Aesthetic Judgements (Hardcover)
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Semantics of Aesthetic Judgements (Hardcover)
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The question of whether aesthetic judgements are simply statements
about subjective preferences or whether they have some
non-subjective basis is one of the most important questions of
aesthetics, and, indeed, of philosophy. In recent years,
philosophers of language have discussed aesthetic judgements, but
have assumed that aesthetic judgements are similar to judgements
that employ predicates of personal taste such as 'tasty' and
'delicious.' A speaker's judgement that an item of food is tasty is
a report about the speaker's subjective response to that item of
food. If aesthetic judgements are like judgements that employ
predicates of personal taste, to judge that the St. Matthew Passion
is glorious is also a report about what some listener likes. If two
people disagree about whether the St. Matthew Passion is glorious,
neither has made a mistake. Philosophers of art have tended to
disagree with this view. They have distinguished aesthetic
predicates such as 'serene,' 'balanced,' and 'glorious' from
predicates such as 'tasty.' On this view, the judgement that some
artwork is serene or even that it is beautiful is a report about
the work, not a report about how a person responds to the work.
Aesthetic judgements are not just statements about personal
preferences. This volume brings together some of the leading
contemporary philosophers of art and philosophers of language to
debate the status of aesthetic judgements. Are they simply
expressions of personal preference? Is there more basis for saying
that a painting is beautiful or serene than there is for saying
that a cake is tasty? Is disagreement about aesthetic judgements
faultless or can someone be mistaken about the aesthetic value of
an artwork?
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