The ambivalent curiosity of the young poet Samuel Taylor Coleridge
(1772-1834) towards Plato - 'but I love Plato - his dear gorgeous
nonsense!' - soon developed into a philosophical project, and the
mature Coleridge proclaimed himself a reviver of Plato's unwritten
or esoteric 'systems'. James Vigus's study traces Coleridge's
discovery of a Plato marginalised in the universities, and examines
his use of German sources on the 'divine philosopher', and his
Platonic interpretation of Kant's epistemology. It compares
Coleridge's figurations of poetic inspiration with models in the
Platonic dialogues, and investigates whether Coleridge's esoteric
'system' of philosophy ultimately fulfilled the Republics notorious
banishment of poetry.
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