This compact introduction to the life and works of composer
Elliott Carter provides a fresh perspective on one of the most
significant American composers of the twentieth and twenty-first
centuries. A leading voice of the American classical music
tradition and a two-time winner of the Pulitzer Prize for Music,
Carter was initially encouraged to become a composer by Charles
Ives, and he went on to learn from Walter Piston at Harvard
University and Nadia Boulanger in Paris. Drawing on Carter's
voluminous writings and compositions, James Wierzbicki provides a
clear discussion of Carter's evolving understanding of musical time
and the influence of film on his work. Celebrating his 100th
birthday in 2008 by premiering a number of new compositions, Carter
has been a powerful presence on the American new music scene, an
important connection to American music's foundational figures, and
a dynamic force in its continuing evolution.
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