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The Beginnings of the Modern Philosophy of Music in England - Francis North's A Philosophical Essay of Musick (1677) with comments of Isaac Newton, Roger North and in the Philosophical Transactions (Paperback, Annotated Ed)
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The Beginnings of the Modern Philosophy of Music in England - Francis North's A Philosophical Essay of Musick (1677) with comments of Isaac Newton, Roger North and in the Philosophical Transactions (Paperback, Annotated Ed)
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In 1677 a slim quarto volume was published anonymously as A
Philosophical Essay of Musick. Written by Francis North (1637-85),
chief justice of the Common Pleas, the Essay is in the form of a
legal case argued from an hypothesis. Utilising the pendulum as his
hypothesis, North provided a rationale from mechanics for the
emerging new musical practice we now call 'tonality'. He also made
auditory resonance the connecting link between acoustical events in
the external world and the musical meanings the mind makes on the
basis of sensory perception. Thus began the modern philosophy of
music that culminated with the work of Hermann von Helmholtz. As a
step towards understanding this tradition, Jamie C. Kassler
examines the 1677 Essay in its historical context. After assessing
three seventeenth-century criticisms of it and outlining how one
critic developed some implications in the Essay, she summarises the
basic principles that have guided the modern philosophy of music
from its beginnings in the 1677 Essay. The book includes an
annotated edition of the Essay as well as the comments of the three
critics.
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