This wide-ranging volume explores the technical and physical
aspects of voice as a craft, questioning its definitions, its
historical presence, training practices and its publications.
Drawing on a wealth of experience, Jane Boston presents a selection
of readings that demonstrate and contextualize some of the defining
moments of voice throughout history. This clear and accessible text
examines the relationship between voice and aesthetics and poetics,
against the backdrop of class, race and gender politics,
demonstrating how vocal training has been and still is inevitably
connected to such issues. Underpinned by theory, voice practitioner
accounts, and cultural and historical contextualization, this
comprehensive resource will be invaluable for practitioners,
researchers and students of voice studies, physical theatre and
theatre history.
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