Despite the social sciences' growing fascination with
tattooing--and the immense popularity of tattoos themselves--the
practice has not left much of a historical record. And, until very
recently, there was no good context for writing a serious history
of tattooing in the West. This collection exposes, for the first
time, the richness of the tattoo's European and American history
from antiquity to the present day. In the process, it rescues
tattoos from their stereotypical and sensationalized association
with criminality.
The tattoo has long hovered in a space between the cosmetic and
the punitive. Throughout its history, the status of the tattoo has
been complicated by its dual association with slavery and penal
practices on the one hand and exotic or forbidden sexuality on the
other. The tattoo appears often as an involuntary stigma, sometimes
as a self-imposed marker of identity, and occasionally as a
beautiful corporal decoration.
This volume analyzes the tattoo's fluctuating, often
uncomfortable position from multiple angles. Individual chapters
explore fascinating segments of its history--from the metaphorical
meanings of tattooing in Celtic society to the class-related
commodification of the body in Victorian Britain, from tattooed
entertainers in Germany to tattooing and piercing as
self-expression in the contemporary United States. But they also
accumulate to form an expansive, textured view of permanent bodily
modification in the West.
By combining empirical history, powerful cultural analysis, and
a highly readable style, this volume both draws on and propels the
ongoing effort to write a meaningful cultural history of the body.
The contributors, representing several disciplines, have all
conducted extensive original research into the Western tattoo.
Together, they have produced an unrivalled account of its history.
They are, in addition to the editor, Clare Anderson, Susan Benson,
James Bradley, Ian Duffield, Juliet Fleming, Alan Govenar, Harriet
Guest, Mark Gustafson, C. P. Jones, Charles MacQuarrie, Hamish
Maxwell-Stewart, Stephan Oettermann, Jennipher A. Rosecrans, and
Abby Schrader.
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