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Rewriting Arthurian Romance in Renaissance France - From Manuscript to Printed Book (Hardcover, New)
Loot Price: R2,581
Discovery Miles 25 810
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Rewriting Arthurian Romance in Renaissance France - From Manuscript to Printed Book (Hardcover, New)
Series: Gallica
Expected to ship within 12 - 17 working days
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First comprehensive examination of the ways in which printers,
publishers and booksellers adapted and rewrote Arthurian romance in
early modern France, for new audiences and in new forms. Arthurian
romance in Renaissance France has long been treated by modern
critics as marginal - although manuscripts and printed volumes,
adaptations and rewritings, show just how much writers, and
especially publishers, saw its potential attractions for readers.
This book is the first full-length study of what happens to Arthur
at the beginning of the age of print. It explores the fascinations
of Arthurian romance in the sixteenth and early seventeenth
centuries, from the magnificent presentation volumes offered by
Antoine Verard or Galliot du Pre in the early years of the century
to the perfunctory abbreviated Lancelot published by Benoit Rigaud
in Lyon in 1591; from PierreSala's dutiful "translation" of Yvain
to Jean Maugin's exuberant rewriting of the prose Tristan; from
attempts at "new" romance like the little-known Giglan to the
runaway best-seller Amadis de Gaule.The book's primary focus is the
techniques and stratagems employed by publishers and their
workshops to renew Arthurian romance for a new readership: the ways
in which the publishers, the translators and the adapters of the
Renaissance tailor romance to fit new cultural contexts. Their
story - which is the story of the rise and fall of one of the great
genres of the Middle Ages - allows privileged insights into
socio-cultural and ideological attitudes in the France of the
Renaissance, and into issues of literary taste, particular patterns
of choice and preference. Jane H.M. Taylor is Emeritus Professor of
French at Durham University.
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