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Looted, Recovered, Returned: Antiquities from Afghanistan - A detailed scientific and conservation record of a group of ivory and bone furniture overlays excavated at Begram, stolen from the National Museum of Afghanistan, privately acquired on behalf of Kabul, analysed and conserved at the British Museum and returned to the National Museum in 2012 (Paperback)
Loot Price: R1,581
Discovery Miles 15 810
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Looted, Recovered, Returned: Antiquities from Afghanistan - A detailed scientific and conservation record of a group of ivory and bone furniture overlays excavated at Begram, stolen from the National Museum of Afghanistan, privately acquired on behalf of Kabul, analysed and conserved at the British Museum and returned to the National Museum in 2012 (Paperback)
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The "Begram ivories" are widely considered to be miniature
masterpieces of Indian art and are one of the largest
archaeological collections of ancient ivories. They were excavated
at the site of Begram, in northern Afghanistan, in 1937 and 1939
and belong to a period when Afghanistan, Pakistan and northern
India were united under rulers of the Kushan dynasty. Divided soon
afterwards between the National Museum of Afghanistan in Kabul and
the Musee national des arts asiatiques-Guimet in Paris, the
collection in Kabul suffered a disaster during the civil war which
ravaged the country during the early 1990s. Some of the pieces were
successfully concealed by museum staff but most were stolen,
hundreds have since been reported in different collections and very
few have yet been recovered. In 2011 a group of twenty bone and
ivory plaques was generously acquired for the National Museum of
Afghanistan by a private individual. These were scientifically
analysed, conserved and exhibited at the British Museum and
returned to Kabul in 2012. This book describes their story from
excavation to display and return, with individual object
biographies and detailed scientific analyses and conservation
treatments. It also discusses how these objects have attracted very
different interpretations over the decades since their discovery,
and how the new analyses shed a completely fresh light on the
collection. It is lavishly illustrated in full colour, and includes
many previously unpublished views of the objects when they were
originally exhibited in Kabul. This book is essential reading for
anyone interested in the archaeology of Afghanistan, Indian art,
polychromy, museum studies, object biographies or the history of
conservation.
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