"A brief survey cannot do justice to Staiger's rich, rewarding
work. The writing style is refreshingly lucid, even while she
negotiates complicated ideas and diverse spectator
positions."--"JUMP CUT"
"One of the best contemporary American film scholars over the
past decade. Janet Staiger points towards new directions which the
study of cinema must consider in the coming years."
"--Henry Jenkins, Massachusetts Institute of Technology"
Film and television have never been more prevalent or watched
than they are now, yet we still have little understanding of how
people process and make use of what they see. And though we
acknowledge the enormous role the media plays in our culture, we
have only a vague sense of how it actually influences our attitudes
and desires.
In Perverse Spectators, Janet Staiger argues that studying the
interpretive methods of spectators within their historical contexts
is both possible and necessary to understand the role media plays
in culture and in our personal lives. This analytical approach is
applied to topics such as depictions of violence, the role of
ratings codes, the horror and suspense genre, historical accuracy
in film, and sexual identities, and then demonstrated through works
like "JFK," "The Silence of the Lambs," "The Texas Chain Saw
Massacre," "Psycho," and "A Clockwork Orange," Each chapter shows a
different approach to reconstructing audience responses to films,
consistently and ingeniously finding traces of what would otherwise
appear to be unrecoverable information.
Using vivid examples, charting key concepts, and offering useful
syntheses of long-standing debates, Perverse Spectators constitutes
a compelling case for areconsideration of the assumptions about
film reception which underlie contemporary scholarship in media
studies.
Taking on widely influential theories and scholars, Perverse
Spectators is certain to spark controversy and help redefine the
study of film as it enters the new millennium.
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