Studded with five gouache drawings by Louise Bourgeois, this
erudite, witty fable by the acclaimed author of Now, Now, Louison
(2018) considers the ambiguous figure of the baby Jesus and its
representation in the artistic canon.' 'One day in 2007,' recalls
Jean Fremon about a visit to artist Louise Bourgeois's studio, 'I
discovered an entirely new series of drawings.... silhouettes of
women with embryos in their wombs, drawn with a brush full of water
and red gouache. These drawings were, for me, the most poignant of
her long career.'
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