Following his Age of Reason in the existentialist triology, the
focus in this second volume is international rather than
individual, concentrated on the eight days of anxiety while the
world pivoted on the verge of war, and Munich provided reprieve.
Here is France as she underwent mobilization, showed largely fear
and negativism in the face of war, reflected through a fairly
sizable cast of characters and by a technique of alternating
transition sometimes difficult to follow. Once again one meets
Mathieu, who, having escaped the personal pitfall of marriage to
Marcelle, anticipates war with resignation - "humanity will
continue on its futile journey"; Daniel, the homosexual, who
married Marcelle and sits out her pregnancy; Philippe, the
general's stepson, pacifist by intellect, coward at heart; Russian
born Boris and his Lola, and so on and on. Once again there is a
fair amount of physical passion, in realistic rather than aesthetic
terms...The market will be fairly well pre-determined on Sartre's
name, and the interest in the earlier book, on which the sequel is
dependent. (Kirkus Reviews)
September 1938: in a heatwave Europe tensely awaits the outcome of the Munich conference. In Paris people are waiting too, among them Mathieu, Jacques and Philippe – not one of them ready to fight. Cutting from one scene to the next, Sartre depicts the hopes, fears, and self-deception of Munich, building a powerful montage of that critical week when Europe, in its pathetic longing for a reprieve, blinkered itself against the threat of war. The Reprieve is the second volume in Sartre’s Roads to Freedom trilogy
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