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Graphic Novels as Philosophy (Paperback)
Loot Price: R1,083
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Graphic Novels as Philosophy (Paperback)
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Contributions by Eric Bain-Selbo, Jeremy Barris, Maria Botero,
Manuel "Mandel" Cabrera Jr., David J. Leichter, Ian MacRae, Jeff
McLaughlin, Alfonso Munoz-Corcuera, Corry Shores, and Jarkko
TuusvuoriIn a follow-up to Comics as Philosophy, international
Contributors address two questions: Which philosophical insights,
concepts, and tools can shed light on the graphic novel? And how
can the graphic novel cast light on the concerns of philosophy?
Each Contributor ponders a well-known graphic novel to illuminate
ways in which philosophy can untangle particular combinations of
image and written word for deeper understanding. Jeff McLaughlin
collects a range of essays to examine notable graphic novels within
the framework posited by these two questions. One essay discusses
how a philosopher discovered that the panels in Jeff Lemire's Essex
County do not just replicate a philosophical argument, but they
actually give evidence to an argument that could not have existed
otherwise. Another essay reveals how Chris Ware's manipulation of
the medium demonstrates an important sense of time and experience.
Still another describes why Maus tends to be more profound than
later works that address the Holocaust because of, not in spite of,
the fact that the characters are cartoon animals rather than human.
Other works contemplated include Will Eisner's A Contract with God,
Alan Moore and David Lloyd's V for Vendetta, Alison Bechdel's Fun
Home, and Joe Sacco's Footnotes in Gaza. Mainly, each essay,
Contributor, graphic novelist, and artist is doing the same thing:
trying to tell us how the world is-at least from their point of
view.
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