Artistic creation has proven remarkably resistant to philosophical
analysis. Artists have long struggled to explain how they do what
they do, and philosophers have struggled along with them. This
study does not attempt to offer a comprehensive account of all
creativity or all art. Instead it tries to identify an essential
feature of an activity that has been cloaked in mystery for as long
as history records. Jeff Mitscherling and Paul Fairfield argue that
the process by which art is created has a good deal in common with
the experience of the audience of a work, and that both experiences
may be described phenomenologically in ways that show surprising
affinities with what artists themselves often report.
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