In The Making of a Terrorist, Jeffrey Champlin examines key figures
from three canonical texts from the German-language literature of
the late eighteenth and early nineteenth centuries: Goethe's Goetz
von Berlichingen, Schiller's Die Rauber, and Kleist's Michael
Kohlhaas. Champlin situates these readings within a larger
theoretical and historical context, exploring the mechanics,
aesthetics, and poetics of terror while explicating the emergence
of the terrorist personality in modernity. In engaging and
accessible prose, Champlin explores the ethical dimensions of
violence and interrogates an ethics of textual violence.
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