Why do people attack monuments and other public objects charged
with authority by the societies that produced them? What do open
assaults on images and artworks mean? Iconoclasm, the principled
destruction of images, has recurred throughout human history as
theory and practice. This book contains seven historical studies of
the changing causes and meanings of iconoclasm and the radical
transformations in the function of images it has brought about in
societies around the world, from Ancient Egypt to Islamic India and
Revolutionary Mexico, as well as Medieval and Reformation Europe.
Scholars of art history, history and archaeology explore shifting
definitions of art and the forms of representation in delineating
varied forms of 'iconoclasm'.
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