The complex status of Chopin in our culture--he was a native
Pole and adopted Frenchman, and a male composer writing in
"feminine" genres--is the subject of Jeffrey Kallberg's absorbing
book. Combining social history, literary theory, musicology, and
feminist thought, "Chopin at the Boundaries" is the first book to
situate Chopin's music within the construct of his somewhat
marginal sexual identity and to explore how this should figure in
our understanding of his compositional methods. Through this novel
approach, Kallberg reveals a new Chopin, one situated precisely
where questions of gender open up into the very important question
of genre.
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