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A Discontented Diaspora - Japanese Brazilians and the Meanings of Ethnic Militancy, 1960-1980 (Paperback)
Loot Price: R578
Discovery Miles 5 780
You Save: R43
(7%)
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A Discontented Diaspora - Japanese Brazilians and the Meanings of Ethnic Militancy, 1960-1980 (Paperback)
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List price R621
Loot Price R578
Discovery Miles 5 780
You Save R43 (7%)
Expected to ship within 12 - 17 working days
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In A Discontented Diaspora, Jeffrey Lesser investigates broad
questions of ethnicity, the nature of diasporic identity, and
Brazilian culture. He does so by exploring particular experiences
of young Japanese Brazilians who came of age in Sao Paulo during
the 1960s and 1970s, an intensely authoritarian period of military
rule. The most populous city in Brazil, Sao Paulo was also the
world's largest "Japanese" city outside of Japan by 1960. Believing
that their own regional identity should be the national one,
residents of Sao Paulo constantly discussed the relationship
between Brazilianness and Japaneseness. As second-generation Nikkei
(Brazilians of Japanese descent) moved from the agricultural
countryside of their immigrant parents into various urban
professions, they became the "best Brazilians" in terms of their
ability to modernize the country and the "worst Brazilians" because
they were believed to be the least likely to fulfill the cultural
dream of whitening. Lesser analyzes how Nikkei both resisted and
conformed to others' perceptions of their identity as they
struggled to define and claim their own ethnicity within Sao Paulo
during the military dictatorship.Lesser draws on a wide range of
sources, including films, oral histories, wanted posters,
advertisements, newspapers, photographs, police reports, government
records, and diplomatic correspondence. He focuses on two
particular cultural arenas-erotic cinema and political
militancy-which highlight the ways that Japanese Brazilians
imagined themselves to be Brazilian. As he explains, young Nikkei
were sure that their participation in these two realms would be
recognized for its Brazilianness. They were mistaken. Whether
joining banned political movements, training as guerrilla fighters,
or acting in erotic films, the subjects of A Discontented Diaspora
militantly asserted their Brazilianness only to find that doing so
reinforced their minority status.
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