Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespearean Character - Language in Performance (Paperback)
Loot Price: R1,049
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Shakespearean Character - Language in Performance (Paperback)
Series: Arden Shakespeare Studies in Language and Digital Methodologies
Expected to ship within 10 - 15 working days
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Why do we continue to experience many of Shakespeare's dramatic
characters as real people with personal histories, individual
personalities, and psychological depth? What is it that makes
Falstaff seem to jump off the page, and what gives Hamlet his
complexity? Shakespearean Character: Language in Performance
examines how the extraordinary lifelikeness of some of
Shakespeare's most enigmatic and self-conscious characters is
produced through language. Using theories drawn from linguistic
pragmatics, this book claims that our impression of characters as
real people is an effect arising from characters' pragmatic use of
language in combination with the historical and textual meanings
that Shakespeare conveys to his audience by dramatic and
meta-dramatic means. Challenging the notion of interiority
attributed to Shakespeare's characters by many contemporary
critics, theatre professionals, and audiences, the book
demonstrates that dramatic characters possess anteriority which
gives us the impression that they exist outside of- and prior to-
the play-texts as real people. Jelena Marelj's study examines five
linguistically self-conscious characters drawn from the genres of
history, tragedy and comedy, which continue to be subjects of
extensive critical debate: Falstaff, Cleopatra, Henry V, Katherine
from The Taming of the Shrew, and Hamlet. She shows that by
inferring Shakespeare's intentions through his characters' verbal
exchanges and the discourses of the play, the audience becomes
emotionally involved with or repulsed by characters and it is this
emotional response that makes these characters strikingly memorable
and intimately human. Shakespearean Character will equip readers
for further work on the genealogy of Shakespearean character,
including minor characters, stock characters, and allegorical
characters.
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