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Performing the Temple of Liberty - Slavery, Theater, and Popular Culture in London and Philadelphia, 1760-1850 (Hardcover)
Loot Price: R1,303
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Performing the Temple of Liberty - Slavery, Theater, and Popular Culture in London and Philadelphia, 1760-1850 (Hardcover)
Series: Early America: History, Context, Culture
Expected to ship within 12 - 17 working days
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Jenna M. Gibbs explores the world of theatrical and related print
production on both sides of the Atlantic in an age of remarkable
political and social change. Her deeply researched study of
working-class and middling entertainment covers the period of the
American Revolution through the first half of the nineteenth
century, examining controversies over the place of black people in
the Anglo-American moral imagination. Taking a transatlantic and
nearly century-long view, Performing the Temple of Liberty draws on
a wide range of performed texts as well as ephemera-broadsides,
ballads, and cartoons - and traces changes in white racial
attitudes. Gibbs asks how popular entertainment incorporated and
helped define concepts of liberty, natural rights, the nature of
blackness, and the evils of slavery while also generating
widespread acceptance, in America and in Great Britain, of
blackface performance as a form of racial ridicule. Readers follow
the migration of theatrical texts, images, and performers between
London and Philadelphia. The story is not flattering to either the
United States or Great Britain. Gibbs' account demonstrates how
British portrayals of Africans ran to the sympathetic and to a
definition of liberty that produced slave manumission in 1833 yet
reflected an increasingly racialized sense of cultural superiority.
On the American stage, the treatment of blacks devolved into a
denigrating, patronizing view embedded both in blackface burlesque
and in the idea of "Liberty," the figure of the white goddess.
Performing the Temple of Liberty will appeal to readers across
disciplinary lines of history, literature, theater history, and
culture studies. Scholars and students interested in slavery and
abolition, British and American politics and culture, and Atlantic
history will also take an interest in this provocative work.
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