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Books > Arts & Architecture > Performing arts > Theatre, drama > Acting techniques
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The Authentic Performer - Wearing a Mask and the Effect on Health (Paperback)
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The Authentic Performer - Wearing a Mask and the Effect on Health (Paperback)
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This book is written from the author's own perspectives as Theater
performer, actress and professional singer from the age of two
years old and, latterly, as an Osteopath specializing in the
treatment of performing artists. Blending this experience and
expertise, Jennie Morton uniquely draws together the physiological,
psychological and sociocultural aspects of being a performer, and
views them in the context of health and well-being. Illuminated
with interviews with leading performers from many disciplines,
including Paul Roberts, lead singer of The Stranglers, and Stefan
Dennis, actor and cast member of Australian television series,
Neighbours, the book provides detailed information on the
physiological processes behind performing arts related injuries
giving the reader the information to better manage their own
health. Crucially, the author examines the culture of training in
the performing arts and how best to prepare student performers for
life in the profession. This issue is particularly pertinent to the
author, who posits that the 'wearing of a mask' is inherent in many
performers and is sometimes seen to be a prerequisite of many
performing arts professions. It is this 'hiding behind the mask'
that is a centerpiece of the work here, as Morton explains that 'in
my experience as an Osteopath treating performers, the further
removed they are from their authentic selves and the more buried
they are beneath their own masks, the longer they seem to take to
heal. I wanted to explore this connection further and have
therefore delved into the medical, psychological and philosophical
literature to discover the underlying physiological and biological
mechanisms at play. I have then placed these in the context of the
cultural requirements of being a performer in the modern world to
see how we can explain the issues with which so many performing
artists struggle'. The book explores how early childhood
experiences can influence both emotional and physiological
development and how this can play a role in the creation of talent
and artistry. It looks at the culture of negative/fear-based
training in the arts and how this can lead to the issues of
perfectionism and obsession so often associated with performing
artists. The neurology of creativity is also discussed along with
issues of mental health with historical and cultural references to
performers throughout history. The historical roots of art itself
are also discussed with a look at how body language and early
communication developed into the music and art of today. Issues of
art as a commodity in the modern world are examined and how these
can affect the health and psychological well-being of artists who
try to earn their living from their passion. The physiological
mechanisms that lead to the pain and anxiety often experienced by
performing artists are explored, and descriptions of muscle
injuries and inflammatory processes are given to inform the reader
so they can better understand their own body mechanisms and how to
manage them. The sympathetic nervous system, or 'fight or flight'
mechanism is also discussed with reference to performance anxiety
and pain levels. The neurology of finding the performance 'zone' is
another subject of discussion. If this sounds like a science or
sci-fi book - it isn't! It reads beautifully, and is perfectly
pitched for the performer and student performer, as well as those
who work with and support them. Much of the Performing Arts
Medicine research and literature from the medical, psychological
and philosophical domains has not filtered down to those performers
who could benefit from it; this book simplifies and contextualizes
that research into a concise, readable and wholly practical
resource.
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